Lot
of 19 Collectable Issues:
ARTFORUM magazine
Spanning the vintage art
forum years from:
1971-1973
(not a complete set)
These issues of ARTFORUM
from a transitional era leading from Abstract Expressionism, Minimalism, etc.,
to
Film experiments, Performance Art, Installation Art, Landscape Art, etc. feature
artists such as Pablo Picasso,
Sol Lewitt, Yoko Ono, Robert Smithson, Man Ray,
Segie Eisenstein, Helen Frankenthaler, Constantin Brancusi,
Maurice Sendak, Eva
Hesse, Jackson Pollock, Bruce Nauman, Piet Mondrian, plus others, and the
critical writings of
Roland Barthes, Noel Carroll, Leo Steinberg, Max Kozloff, Wassily
Kandinsky, Laurie Anderson, and many, many
and much, much more (art gallery
advertising, art reviews +).
All issues have a
“Withdrawn from Library” stamp on the front cover (pictured), and are in
“Good,” condition:
a little worn but very readable (very few if any marks in
interior with fairly tight bindings). Many, many pages
suitable to frame as color or black and white prints.
Two other sets are listed too:
1965-1970 (15 issues)
1974-1976 (19 issues)
Please view these ARTFORUMs up for bidding by
clicking the “View seller’s other items” link!
ARTFORUM 1971-1973
ARTFORUM – 1971 – March –
Volume IX, No. 7
Cover: Richard Serra, “Base Plate Kexagram, Right
Angles Inverted”
28 James Monte: Looking at the Guggenheim
32 John Elderfield: Ron Davis at Castelli
35 Gabriel Laderman: Unconventional Realists, Part II:
Sculpture
40 Peter Plagens: A Meditation on Painting
44 Bernhard Leitner: Sound Architecture
50 Barbara Rose: A Conversation with Gene Davis
55 Jack Burnham: Unveiling the Consort, Part I
61 New York
68 Los Angeles
72 Boston
75 San Francisco
8 Letters
ARTFORUM – 1971 – May –
Volume IX, No. 9
Cover: Diane Arbus, “A patriotic boy with straw
hat, buttons and flag, waiting to march in a pro-war parade”, 1967
34 Melvin Charney: On The Liberation of Architecture
38 Joseph Masheck: The Panama Canal and Some Other Works of
Work
42 Marcia Tucker: Recent Paintings by Joan Snyder
46 Phyllis Tuchman: An Interview with Robert Ryman
54 Robert Pincus-Witten: Christopher Wilmarth: A Note on
Pictorial Sculpture
57 John Elderfield: On Constructivism
64 Diane Arbus: Five Photographs
70 Selma G. Lanes: The Art of Maurice Sendak
74 New York
83 Washington
86 Texas
88 Los Angeles
90 San Francisco
10 Letters
12 Political Communications
ARTFORUM – 1971 – June –
Volume IX, No. 10
Cover: Michael Snow, Still from “Wavelength”,
1967
30 Annette Michelson: Toward Snow
38 Michael Fried: Problems of Polychromy: Michael Bolus
40 John Coplans: An Interview with Don Judd
51 John Elderfield: Drawing in Cezanne
58 Walter D. Bannard: Touch and Scale: Cubism, Pollack,
Newman, Still
67 Jack Burnham: Hans Haacke’s Cancelled Show at the
Guggenheim
72 Kasha Linville: Agnes Martin: An Appreciation
74 Jerrold lanes: Walker Evans: Image as Process and as
Subject
76 New York
89 San Francisco
10 Letters
ARTFORUM – 1971 – September
– Volume X, No. 1
Cover: Ken Jacobs, Still from “Tom, Tom, the
Piper’s Son”, 1969
8 Peter Gidal, Annette Michelson and Jonas Mekas: Forward
in Three Letters
32 Hollis Frampton: For a Metahistory of Film: Commonplace
Notes and Hypotheses
36 Regina Cornwell: “True Patriot Love”: The Films of Joyce
Wieland
41 Wanda Bershen: “Zorns Lemma”
46 Lois Mendelson and Bill Simon: “Tom, Tom, the Piper’s Son”
53 Robert Smithson: A Cinematic Atopia
56 Regina Cornwell: Paul Shartis: Illusion and Object
63 Michael Snow: Passage
64 Richard Serra: Statements
65 Joan Jonas: “Paul Revere”
68 Barbara Rose: The Films of Man Ray and Moholy-Nagy
74 Paul Arthur: The Calisthenics of Vision: Open
Instructions on the Films of George Landow
80 Max Kozloff: On Negative Space
84 Stephen Koch: “The Chelsea Girls”
ARTFORUM – 1971 – October –
Volume X, No. 2
Cover: Pablo Picasso, “Family of Saltimbanques”,
1905
30 Theodore Reff: Harlequins, Saltimbanques, Clowns, and Fools
44 Leo Steinberg: Picasso: Drawing as if to Possess
54 Kasha Linville: Sonsbeek: Speculations, Impressions
62 Barbara Rose: Quality in Louis
66 The “Art and Technology” Exhibition at the Los Angeles
County Museum (Two Views)
66 Jack Burnham: Corporate Art
72 Max Kozloff: The Multimillion Dollar Art
Boondoggle
77 Kenneth Baker: Keith Sonnier at the Modern
82 Robert Pincus-Witten: Anglo-American Standard Reference
Works: Acute Conceptualism
86 Los Angeles
9 Letters
ARTFORUM – 1971 – November –
Volume X, No. 3
Cover: Ellsworth Kelly, “To Panels: Blue with
Small Red”, 1970
32 Robert Pincus-Witten: Eva Hess: Post-Minimalism into
Sublime
45 John Elderfield: Color and Area: New Paintings by
Ellsworth Kelly
50 Walter D. Bannard: Noland’s New Paintings
54 John Elderfield: The Early Work of Kurt Schwitters
68 Rosalind Krauss: The Problems of Criticism X: Pictorial
Space and the Question of Documentary
72 Katherine Janszky Michaelsen: Brancusi and African Art
78 Manny Farber: Raoul Walsh
81 John Bernard Myers: “The Black Pope”
83 Peter Plagens: Los Angeles
85 Knute Stiles: San Francisco
9 Letters
ARTFORUM – 1972 – January –
Volume X, No. 5
Cover: Josef Albers, “Lattice Painting”, 1922
26 Margit Rowell: On Alber’s Color
38 Kenneth baker: A Note on Dan Flavin
41 Joseph Masheck: A Better World in Birth
46 Kenneth Baker: Chuck Ginnever
49 Jerrold Lanes: Boston Painting 1880-1930
52 John Elderfield: Cork:
Irish Painting in the 19th Century
55 Kermit S. Champa: New Work of Helen Frankenthaler
60 Jerrold Lanes: Problems of Representation
63 Willis Domingo: Meaning in the Art of Duchamp, Part II
69 Emily Wasserman: “This Is Not Here” (A Report on the Yoko
Ono Retrospective at Syracuse)
74 Jane Livingston: Los Angeles: Barbara Munger
77 Peter Plagens: Los Angeles: The Market Street Program
79 Robert Pincus-Witten, Joseph Masheck, Kenneth Baker, and
Lizzie Borden: New York
6 Letters
ARTFORUM – 1972 – February –
Volume X, No. 6
Cover: John Chamberlain, “Mr. Press”, 1961
30 Robert Pincus-Witten: Bruce Nauman: Another Kind of
Reasoning
38 Phyllis Tuchman: An Interview with John Chamberlain
44 Barbara Rose: On Chamberlain’s Interview
46 Max Kozloff: The Futurist Campaign
52 Hollis Frampton: Meditations Around Paul Strand
58 Robert Pincus-Witten: Minneapolis: Burgoyne Diller
61 Jerrold Lanes: Richard Diebenkorn: Cloudy Skies over
Ocean Park
64 Albert Elsen: Drawing and the True Rodin
70 William C. Seitz: Mondrian and the Issue of Relationships
76 Peter Plagens: San Francisco: Terry Fox
78 Kenneth Baker, Robert Pincus-Witten, Joseph Masheck,
Jerrold Lanes and Lizzie Borden: New York
ARTFORUM – 1972 – March –
Volume X, No. 7
Cover: Dorothea Rockburne, Z from “Domain of the
Variable”, 1971-72
28 Dorothea Rockburne
28 Mel Bochner: A Note
29 Robert Pincus-Witten (editor): Works and
Statements
34 Jennifer Licht: An Interview with Dorthea
Rockburne
37 Leo Steinberg: Reflections on the State of criticism
50 Michael Fried: Larry Poons’ New Paintings
53 Lawrence Alloway: On Style: An Examination of Roy
Lichtenstein’s Development
60 Annette Michelson: “The Man with the Movie Camera”: From
Magician to Epistemologist
73 Marco Carynnyk (translator): From the Notebooks of Dziga
Vertov
83 Peter Plagens: Ed Moses: The Problem of Regionalism
86 Kenneth Baker: New York
6 Letters
ARTFORM – 1972 – November –
Volume XI, No. 3
Cover: Mark di Suvero, “Ik Ook”, 1971-72
34 Carter Ratcliff: Mark di Suvero
43 Hollis Frampton: Digressions on the Phtographic Agony
52 Lawrence Alloway: Robert Smithson’s Development
62 Max Kozloff: Atget’s Trees
65 Judith Wolfe: Jungian Aspects of Pollock’s Imagery
74 Robert Pincus-Witten: Eva Hesse: Last Words
77 Steven Kovacs: Man Ray as Film Maker
83 Manny Farber and Patricia Peterson: The Venice Film
Festival
86 Lawrence Alloway: Book Review
87 Peter Plagens: Reviews
6 Letters
ARTFORUM – 1972 – December –
Volume XI, No. 4
Cover: Mel Bochner, “Theory of Sculpture:
Counting”, 1972
28 Robert Pincus-Witten: Mel Bochner: The Constant as
Variable
35 John Elderfield: American Geometric Abstraction in the
Late Thirties
43 Karin von Maur: Oskar Schlemmer Sculpture
48 Don McDonagh: Notes on Recent Dance
50 Robert Dunn: Pivot
53 Stephen Koch: Performance, A Conversation
59 Carl Andre: A Note on Bernhard and Hilla Becher
62 Steven Kovacs: Man Ray as Film Maker
67 Peter Plagens: Los Angeles: The Ecology of Evil
77 Joseph Masheck, April Kinglsey, Bruce Boice, Lizzie
Borden and Carter Ratcliff: Reviews
ARTFORUM – 1973 – January –
Volume XI, No. 5
Cover: Sergei Eisenstein, “October”, 1928
30 Annette Michelson: Camera Lucida / Camera Obscura
38 Eisenstein on Mayakovsky
41 Paul Arthur: Stan Brakhage: Four Films
46 Roland Barthes: The Third Meaning: Notes on Some of Eisenstein’s
Stills
51 Phoebe Cohen: “Scenes From Under Childhod”
56 Noel Carroll: For God and Country
61 Rosalind Krauss: Montage “October”: Dialectic of the Shot
66 Fred Camper: “Western History” and “The Riddle of Lumen”
72 Hollis Frampton: Stan and Jane Brakhage
80 Joyce Rheuban: Brakhage Filmography
82 Carter Ratcliff, Bruce Boice, April Kingsley and Joe
Masheck: Reviews
ARTFORUM – 1973 – February –
Volume XI, No. 6
Cover: Jasper Johns: “The Critic Sees”, 1961
8 Hans Narmuth: In Memoriam: Joseph Cornell
9 Letters
32 Preston Heller and Andrew Menard: Kozloff: Criticism in
Absentia
37 Lawrence Alloway: Sam Francis: From Field to Arabesque
42 Robert Morris: Some Splashes in the Ebb Tide
50 Lucinda Childs: A Portfolio
57 Kermit Champa: Miro
62 Robert Smithson: Frederick Law Olmsted and the
Dialectical Landscape
69 Robert Pincus-Witten: Sol Lewitt: Word – Object
73 Bruce Boice: After the Quality Problem
76 Max Kozloff: Book Review
79 Joseph Masheck, Lizzie Borden, Bruce Boice, April
Kingsley and Peter Plagens: Reviews
ARTFORUM – 1973 – March –
Volume XI, No. 7
Cover: Eadweard Muybridge, “Animal Locomotion”,
1887
7 Letters
32 Lawrence Alloway: Institution: Whitney Annual
36 Leon Golub: 16 Whitney Museum Annuals of American Painting,
Percentages 1950-72
40 Joseph Masheck: Yes! Says Arakawa
43 Hollis Frampton: Eadweard Muybridge: Fragments of a
Tesseract
53 Roert Pincus-Witten: Ferdinand Hodler: Expressionism
Versus Symbolism
57 Peter Plagens: Roughly Ordered Thoughts on the Occasion
of the Bruce Nauman Retrospective in Los Angeles
60 Leon Golub: 2D/3D
69 April Kingsley: “Women Choose Women”
74 Joe Macheck: Unconscious Formalism, A Response to Andre’s
Note on the Bechers
76 Kandinsky: “On the Artist”
79 Tanya Neufeld: An Interview with Emile de Antonio
84 Bruce Boice: Joseph Kosuth: 2 Shows
86 Bruce Boice: Book Review
87 Joseph Masheck and Bruce Boice: Reviews
ARTFORUM – 1973 – April –
Volume XI, No. 8
Cover: Agnes Martin, “Orange Grove” (detail),
1965
9 Letters
32 Lawrence Alloway: Agnes Martin
38 Agnes Martin: Reflections
39 Lizzie Borden: Early Work of Agnes Martin
45 Bruce Boice: Jan Dibbets: The Photograph and the
Photographed
50 The Birth of de Stijl, Part I: Piet Mondrain
50 Robert P. Welsh: The Subject Matter of
Abstraction
55 Joop P. Joosten: Abstraction and
Compositional Innovation
60 Rosalind Krauss: Paul Sharits: Stop Time
62 Peter Plagens: Occupational Hazard
66 Lowery S. Sims: Black Americans in the Visual Arts: A
Survey of Bibliographic Materials and Research Resources
71 David Kunzle: Book Review
73 Lizzie Borden, Bruce Boice, Joseph Masheck, April
Kingsley and Roberta Pancoast Smith: Reviews
ARTFORUM – 1973 – May –
Volume XI, No. 9
Cover: Pablo Picasso, 1947 (photographer not
known)
32 James Collins: Things and Theories
37 Rosalind Krauss: Max Ernst: Speculations Provoked by an
Exhibition
41 Virginia Gunter: Gerald Hayes: The Creativity of the Psychological
Eye
43 Max Kozloff: American Painting During the Cold War
55 Peter Flagans: No/Yes on the West Coast
57 Meredith Monk:
57 Angela Westwater: An Introduction
60 Mark Berger: A Metamorphic Theater
64 Theodore Reff: Love and Death in Picasso’s Early Work
74 Carol Duncan: Book Review
76 Lizzie Borden, Bruce Boice, Roberta Pancoast Smith and
April Kingsley: Reviews
ARTFORUM – 1973 – September
– Volume XII, No. 1
Cover: Kurt Schwitters, “Cathedral of Erotic
Misery, Merzbau” (detail), c. 1940
10 Letters
30 Robert Witz: Selections from the Tomah Letters
33 Peter Plagens: Before What Flowering? Thoughts on Wes Coast
Art
38 Annson Kenney: Sound-Script Relations and the New
Notation
45 John Elderfield: Private Objects: the Sculpture of Kurt
Schwitters
55 Eric Kroll: Murals in New Mexico
58 Joseph Masheck: The Jules Olitski Retrospective
61 Craig Hodgetts: Biography of a Teaching Machine
66 Roberta Smith: On Daniel Buren
68 Daniel Buren: Function of the Museum
69 Paul S. Arthur: A Retrospective of Anthropological Film
74 Lawrence Alloway: Book Review
76 Joseph Masheck, Peer Plagens, Bruce Boice, Roberta Smith,
James Collins, Jeremy Gilbert-Rolfe and Laurie Anderson: Reviews
ARTFORUM – 1973 – October –
Volume XII, No. 2
Cover: John Baldessari, “The Mondrian Story (Version
I)” (detail), 1972-73
32 Robert Joseph Horvitz: A Talk with George Kubler
35 Lucy Lippard: Hanne Darboven: Deep in Numbers
40 Robert Pincus-Witten: heater of the Conceptual:
Autobiography and Myth
47 Moira Roth: Robert Smithson on Duchamp, An Interview
48 William Hauptman: The Suppression of Art in the McCarthy
Decade
53 Douglas Davis: What is Content? Notes Toward an Answer
64 Annette Michelson: “Anemic Cinema,” Reflections on an
Emblematic Work
70 Sidney Geist: Brancusi: The Centrality of the Gate
79 Adrian Piper: In Support of Meta-Art
82 Peter Plagens: L.B.M.A., M.O.C.A., P.M.M.A., L.A.C.M.A.
85 Lizzie Borden: Art Economics and the Whitney Drawing Show
89 Bruce Boice: Book Review
ARTFORUM – 1973 – November –
Volume XII, No. 3
Cover: Mark Rothko, “Light Cloud, Dark Cloud”
(detail), 1957
9 Letters
32 Robert Joseph Horvitz: Nature as Artifact
36 Lawrence Alloway: Residual Sign Systems in Abstract
Expressionism
43 Rosalind Krauss: Sense and Sensibility
54 Joseph Masheck: Ellsworth Kelly at the Modern
58 Max Kozloff: The Rivera Frescoes of Modern Industry at
the Detroit Institute of Arts:
Proletarian
Art Under Capitalist Patronage
64 Laurie Anderson: Mary Miss
66 John W. Locke: Michael Snow’s “La Region Centrale”
72 Roberta Smith: Jared Bark: Photo-Booth Pieces
74 Annabelle Henkin Melzer: Dada Performance at the Cabaret
Voltaire
79 Jan Groover: The Medium Is The Use
81 Carl R. Baldwin: Book Review
83 Bruce Boice and Peter Plagens: Reviews
I will ship the first business day after your payment clears.